painted Nacht in ca. 1905e1908   Related Paintings of Archip Iwanowitsch Kuindshi :. | Der Dnjepr am Morgen | Nacht | Nacht | Moonlit Night on the Dniepr | Bevep he ykpauhe |
Related Artists:
Karel skreta
(1610, Prague - July 30, 1674, Prague) was a Czech Baroque painter. Karel learnt painting perhaps from one of the masters at the royal courtyard. He studied in Saxony and in Italy. According to Houbraken he painted portraits and lived together with the respected watercolor painter Willem Bouwer in Rome. He became a member of the Bentvueghels with the nickname Slagzwaart or Slach-sweerd.According to the RKD he was the teacher of the Prague painter Johann Georg Heinsch (1640-1713). Since 1638 he lived in Prague, where he worked on altarpieces for many churches, for example St. Thomas, St. Stephen or the Church of Our Lady in front of Týn.
Alexandre Cabanel
French Academic Painter, 1823-1889 French painter and teacher. His skill in drawing was apparently evident by the age of 11. His father could not afford his training, but in 1839 his departement gave him a grant to go to Paris. This enabled him to register at the Ecole des Beaux-Arts the following October as a pupil of Franeois-Edouard Picot. At his first Salon in 1843 he presented Agony in the Garden (Valenciennes, Mus. B.-A.) and won second place in the Prix de Rome competition (after Leon B?nouville, also a pupil of Picot) in 1845 with Christ at the Praetorium (Paris, Ecole N. Sup. B.-A.). Both Cabanel and Benouville were able to go to Rome, as there was a vacancy from the previous year. Cabanel's Death of Moses (untraced), an academic composition, painted to comply with the regulations of the Ecole de Rome, was exhibited at the Salon of 1852.
Thomas Anshutz
American Realist Painter, 1851-1912 was an American painter and teacher. He studied art in Paris at the Academie Julian, and at the Pennsylvania Academy of the Fine Arts under Thomas Eakins. His most famous painting, The Ironworkers' Noontime (1880), depicts several workers on their break in the yard of a foundry. Painted near Wheeling, West Virginia, it is conceived in a naturalistic style similar to that of Eakins, although Eakins never painted industrial subjects.